Detail of a photograph by Nickolas Muray
The Toronto exhibit featuring the work of Frida Kahlo and Diego Rivera is heartwrenching, beautiful and inspiring. The months leading up to my first glimpse of any of either artist’s work were excruciating but being immersed in their realities as people and as storytellers made the experience more moving than thought possible.
The exhibit was curated with a mixture of photographs, videos, Mexican indigenous sculptures, canvases and one of Frida’s corsets with a hammer and sickle and an unborn fetus; both artists inspired each other and at certain points in the exhibit, canvases were paired and the styles were undistinguishable. It was an interesting experiment that would have an enthusiast scratching their heads only to find the subtle differences to be nagging. This experiment should be kept internally since such conversations in public end up being ‘scenes’ in public. Just sayin’.
Up to this moment, there are ideas that Frida and Diego ponder about on their canvases that are still relevant today: feminism, equality, oppression, post-colonialism and chauvinism, among others. It’s a thrilling feeling to have access to the thought process that goes behind the otherworldly images that Kahlo presents in what one can call mental ‘landscapes.’ It was thrilling.
With Google images being two clicks away, I am only including the one image for this post. Ideas after all live in the air around us. It is up to us to leave traces of thoughts. Frida and Diego accomplished this with their canvases and murals. It’s up to us now to do the same. Go ahead. Read. Contemplate.
The Art Gallery of Toronto is bringing Frida Kahlo and Diego Rivera to Canada for the first time in an exhibit called ‘Frida & Diego: Passion, Politics and Painting.’ This event has been on my iCalendar since it was announced so ‘anticipation’ would be the word that first comes to mind.
I will be at the Members’ Preview so please watch this space.
Lamps by Moooi Amsterdam
Chest of drawers by Tajo Remy
When I think of Dutch culture, I think of art and design.
On my last visit to the Netherlands, I had the chance to go beyond Amsterdam and to see the lovely little cities surrounding the capital. What unites the seven cities and towns I visited is the function that the architecture and design that is inherent in everyday living. Everything makes sense.
The porcelains of Delft, the houseboats on the canals and giant bay windows are indicative of the pursuit of purpose without sacrificing aesthetics. And why not? The stereotypical coldness associated with the geography is broken when you step back to realize the romance of the whole picture.
For those who are on Pinterest, Urban Peanut: A Gallery has a board! Come and check it out here.
Ork Map of Toronto
Christopher Columbus_Map_New World_1490
By Mike Baldwin
Directions are either helpful or confusing, maps included. Visual cues are meant to minimize interference by by language and this is where design comes in. Conventions and cultural references are used to help in this experience but there are still shortcomings.
The visual that a map presents to its beholder is spatial; ingenious use of other elements like colours and texture gives the said beholder a space for personalizing the experience of wayfinding. One good example of this visual map is the ‘You Are Here’ map that can be found at any shopping centre. By using the beholder’s relative starting point, the hunt for the shoe sale is a little closer for someone shopping with daddy’s credit card which is a blessing (for the current teenager) and a curse (for the same teenager but ten years from and now also for the unknowing father).
Maps are documents of discovery. Without blazing trails, maps would not exist and without verifying accuracy, maps could very well be drawings mazes that can be filled with colour using wax crayons. Navigators commissioned by kings earned a living heading to the unknown seas brought back trophies as well as roughly plotted maps of their routes to get from one place to their destinations. Christopher Columbus had an estimated idea of how to get to the New World but confusion about where exactly his ship landed has born a huge influence on our present geographic references.
Recently, experimentation in cartography has come from graphic design. The maps are neither topographic, geographic or political; they have become typographic. Looking at the Ork maps of cities, including Toronto, the intention is to visually represent the different neighbourhoods and districts in urban centres through kerning and letting. They are useless if you are a tourist trying to navigate the streets but heck, they are beautiful.
Present-day collectible maps are great to serve as art and design pieces. Nothing else. They are visual references and approximations that could be slightly helpful. One can argue that this is a design failure; another can rebut by asking if we even need maps still. The analog/puritan in me would say ‘yes.’ The tech enthusiast in me asks, ‘don’t I have an app for that?’.
Visual communication is inescapable and we have accepted this situation. Ads are part of the visual clutter that encompasses urban living and brands are looking for a piece of the most important real estate there is: your brain.
Some of the brands that have made their imprints run the challenge of reinventing themselves to stay relevant, to widen their reach and to remind people how great their childhoods were because of this one particular brand.
Disney today release a new Joy Division inspired version of Mickey Mouse’s ears for the band’s Unknown Pleasures from 1979, designed by Ian Saville. With this logo, a new generation of Disney fans witness a reinvention of the popular mouse-ears silhouette meanwhile arousing the nostalgia of those who are, ahem, mature enough to know, recognize and appreciate record art. I will be ordering one because for the mouse ears.
Dress by Thakoon, from gorunway.cm
Design by Nuno Grande and Pedro Gadanho, Portugal
Confusing Pantone for a baked good is a mistake that can easily be forgiven, if not by your waistline. Indulging in colour is a paralyzing fear that can easily be overcome with effort and patience. After all, not everyone is going to look good in 2012′s Pantone of the year: 17-1463 Tangerine Tango.
Orange coaxes feelings of happy mornings and as well as a ride through Spain in late summer when the orange trees are in bloom from Valencia to Madrid. It’s a particular colour — only the bold dare to wear an orange angora sweater or invest in an orange Lamborghini. It is a difficult hue but leave it to the experienced to teach us mere mortals a lesson. Is it the new red?
December has slapped us in the face with no apology. Being cooped up in a suburban box for most of my waking hours should not be an excuse for the lack of action on ‘the Gallery.’ (I am quietly willing this nickname to get catchier every time I use it.)
With the season of gift-giving in our midst, a list is in order and better yet, a list of gifts that I would like to receive. They are the only gifts worth giving unless you prove me otherwise.
This SIWA Backpack by Naoto Fukasawa is made in Japan. The material is wash-suki paper which is quite deceiving because it is resilient, waterproof and become softer with the wear and tear of commuting. Ideal for the urban nomad in everyone. $250 at Mjölk.
The iPad has been a game-changer since it was introduced to the market in 2010. Carrying one everywhere has been a constant for the person who is always on the go. Once you’re home, wouldn’t you like to have your sidekick come home to a nice cradle? I have been crushing on this iVictrola for iPad designed by Matt Richmond. It’s like the composite creature in Mary Shelley’s novel without the monster stigma. There is an old repurposed Magnavox horn from the 1920s to be used as the speaker with a handcarved walnut base. If you’re lucky enough to run into one, I know who has two thumbs and would like to find one under his tree. This guy. $985 from Design Within Reach.
Since it’s the holidays, we think about our friends and loved ones and how we can spend more quality time with them. It is all about being efficient with time and being always prepared for last-minute parties or dinners (maybe some that might have slipped one’s mind until about an hour before the appetizers). The Mini Cooper Coupé 2012 is a present that will keep on giving. Impromptu visits to the parents, aunts and uncles are on my list of resolutions. Please help make this possible. Starting at $25,950 at MINI.ca.
If there is one thing I love, it would have to be photography. The masters Henri-Cartier Bresson and Ansel Adams have a pretty fierce grasp of two heart strings right here (points to left side of chest). It is amazing what one can do with a piece of equipment, suspending one moment in time, to be relived over and over. It is magic, really.
Talking photography means talking about hardware. All the camera manufacturers in the world seem to quicken the pace at which their goods are produced and distributed, satisfying gearheads with every shipment to the nearest retailer. I’m not one to think of the good ol’ days because let’s face it, nothing gets accomplished and that is waste. However, there is also the adage ‘Haste makes waste.’ Could we apply it to today’s pieces of technology?
What is fascinating right now is the nostalgia that younger people have for a technology whose tail-end they caught: film or analog photography. Lomography has picked up with the sales of plastic cameras that take pretty funky images. Stores catering to the 12-25 set like Urban Outfitters carry cameras of the same nature. There IS an interest in film. Still.
So far, the camera that I have my eye out for is a compromise between analog and digital: the Fuji X100. I am certain that I am not alone. The camera is a beauty. Let’s not get too much into the specs but the camera physically is loosely based on rangefinder cameras from decades ago, only digital. The buttons are all manual (but with their automatic counterparts, for the lazy) unlike other digital cameras that have been designed and released thus far in the last couple of years. It may be the best compromise, so far with the convenience of digital and the regal appearance of a Leica. (A fundraising event is slowly getting organized for the 2011 holiday season. Let me rephrase that: for my 2011 holiday season. Cheques accepted but PayPal is best.)
The selling point of this camera is the old-school appearance but with the practicality its digital compatibility with our digital lives. At $1200, is keeping up appearances worth it? To some, yes. To others, no. The equipment that was once but a tool to capture images is now an image unto itself. It is like being caught between two mirrors facing each other, and the neverending hall of repeating reflections. Which is the original? No one really knows. The camera is only coveted until the updated version is available. Is that a waste? You decide.
I don’t plan on making this temporary abandonment of Urban Peanut: A Gallery a habit, mind you. A lot has happened in the last month regarding design and my involvement in the industry, which is, by the way, up to this moment, a very good circumstance.
I have to meditate on the number 12, my favourite number. My partiality towards the number might have something to do with my birthdate. It is quite an important number for the vast majority of us. Months, disciples and doughnuts come in 12s. So did exposures on a roll of 35mm film, a long time ago.
The 12th of October also is the anniversary of Columbus’ landing in he Caribbean (BTW political correctness is not the focus of this entry), the birthday of Luciano Pavarotti, and marks the launch of Douglas Adams’ The Hitchhiker’s Guide to the Galaxy (1979). It is pretty important date in culture and human history.
For this year, the 12th of October, I anticipate, will also be an important day. It will be the day after Thanksgiving weekend. It will also be the day when my friends and family come together to celebrate me through song and food. An iPad is also an option. Thank you very much in advance. And dark chocolate cakes are most welcome.