The DNA of this blog is composed of art, culture and design and it continues to be. Toronto is the hotbed of this trinity this week with the Interior Design Show and the Toronto Design Offsite Festival with various venues and points of focus. Designers, artists and their disciples will flock to Toronto’s cultural centre with installations and events all over Dundas West, Queen West, the Junction and other neighbourhoods.
Design and art aficionados will find their fix starting tonight with the launch party at Smash in the Junction starting at 8 p.m. Dear reader: if you are up for it, there’s a free (!) Letterpress Card-making Workshop at Graven Feather (906 Queen Street West) starting at 6 p.m.
The Junction will be the place to visit tonight with the above mentioned TODO Launch Party at Smash. My favourite art supplies shop, ARTiculations (2928 Dundas St West), will host an opening reception for the exhibit Accumulation by Christine Kim starting at 6 p.m. It’s all about investigating and experimenting with lines, light and shadow. Toronto’s beloved design shop Mjölk will host to Stockholm-based Italian industrial designer Luca Nichetto. If you’re a coffee fiend like I am, you might find a new toy that would enable your brewing vice with a new collection of accessories inspired by Italian coffee culture. The reception starts at 7 p.m.
Come Up To My Room at the Gladstone Hotel starts tomorrow, Thursday, January 23. Installations by A0 (ALSO Collective + Mason Studio) and EYES ON DESIGN are my top picks to see.
To finish the week off, Interior Design Show (IDS) will be open to the public this weekend at the Metro Toronto Convention Centre. The two talks I will be attending are on Saturday, January 25. The first one with Sami Ruotsalainen of Marimekko and Andrew Sardone from the Globe and Mail at 12 p.m. The second is with Rafael de Cardenas from New York-based firm Architecture at Large in conversation with the Globe and Mail’s Style Editor Amy Verner at 4 p.m.
So, how’s your design week looking? Just grab some water, cash, your iPhone and you’re good to go.
The Art Gallery of Toronto is bringing Frida Kahlo and Diego Rivera to Canada for the first time in an exhibit called ‘Frida & Diego: Passion, Politics and Painting.’ This event has been on my iCalendar since it was announced so ‘anticipation’ would be the word that first comes to mind.
I will be at the Members’ Preview so please watch this space.
Lamps by Moooi Amsterdam
Chest of drawers by Tajo Remy
When I think of Dutch culture, I think of art and design.
On my last visit to the Netherlands, I had the chance to go beyond Amsterdam and to see the lovely little cities surrounding the capital. What unites the seven cities and towns I visited is the function that the architecture and design that is inherent in everyday living. Everything makes sense.
The porcelains of Delft, the houseboats on the canals and giant bay windows are indicative of the pursuit of purpose without sacrificing aesthetics. And why not? The stereotypical coldness associated with the geography is broken when you step back to realize the romance of the whole picture.
Around this time of the year, a design-hungry hog would be salivating about the thought of going to Salone internazionale del mobile where designers, manufacturers and consumers congregate to see what is in store in the very near future. The thought of being in the same room as the jewels of some of our time’s brilliant minds could induce short bursts of euphoria akin to Beatle-mania, if only those hyperventilating were full-grown adults, with refined tastes that are only be appeased by limited edition Eames chairs made from recycled bamboo chopsticks. I must confess I took the liberty in inventing this particular collector’s piece.
Not even an unpronounceable Icelandic volcano could keep the design-obsessed away. Last year, patrons and enthusiasts risked being grounded in Europe just to behold innovative products in design. What heaven does one live in where being stuck in Europe is the worst thing that could happen? Sign me up. Please.
As a Torontonian, one thinks of his hometown romantically. A younger city, Toronto hosts architectural gems that the world marvels at; Mies Van Der Rohe’s Toronto Dominion Building in the International Style is a romantic encapsulation of Toronto’s history as a continuously growing global city in one structure.
The International Style aggravated critics because of its seeming lack in architectural lineage with its buildings now dotting urban centres throughout the world. Herr Van Der Rohe’s contribution mirrors Toronto’s story of growth and development.
As Toronto grew exponentially in population and in area, the International Style became, well, international. The city still continues its development towards the suburbs. Did people come to make the city the way it is? Or was the city already here for the people enrich further? One thing is for sure: Toronto, like the Toronto Dominion Building, is in the International Style.
It’s elementary semiotics: signs are universally acknowledged whereas symbols are more personal, societal. Feel free to use any adjective denoting subjectivity.
Graphic design is the practice of perpetually crafting symbols to represent a business, company, association or product. The eventuality that the symbol becomes a universal sign is circumstance, luck and above all, good design. It is the combination of all three that comprises the recipe for graphic design immortality and one example comes to mind: Milton Glaser.
Milton Glaser is the graphic designer behind the I Heart NY graphic that can be found at all the tourist shops in New York City. The simplicity of the graphic has made it a sign that has inspired many copycats to, well, copy and reinterpret Glaser’s work with the American Typewriter typeface, my personal favourite.
The red heart on Glaser’s graphic has been adapted to a maple leaf, in the case for Toronto, the Apple sign for the Apple Store in (irony!) New York City, a clover for Ireland and the list goes on. I think collecting all of the ‘tributes’ to Milton Glaser’s clean and simple work would make for a great book, if there is not one already in print. Taschen, I called this one.
It still boggles my mind how low of a priority graphic design is for organizations, yet we admire branding that has become an everyday presence among us. (Apple, anyone? or Nike’s swoosh?) Graphic designers are the unsung heroes of commerce and individuals working in business should realize that there is more to graphic design than font size and typefaces; creativity and vision are also very important.
Cité de la mode et du design, Paris
A couple of weeks ago, tired from a full week of completing projects both at work and at home, I decided to do a little indoor gardening. The tropical plants, lucky bamboos of birthdays past and and whatever is left of an orchid plant after the bloom is gone were the subjects of the Friday night impromptu botany experiment.
Fifteen years ago, my grandmother gave me a plant that has not been repotted since. Imagine a 4 foot tall plant in a 6-inch plastic planter. It was an odd thing to behold.
“Why don’t I cut stalks from this plant and put them in water? I know roots will shoot. Let’s just see,” I thought to myself. the success story involves the first plant, roots and all, being potted the day before yesterday.
I never fancied myself a greenthumb but here I was, little plant in my hands, dirty with soil. I started thinking: “What’s an interesting plant to grow?”
I started thinking about my lithops when I was living in Montréal. Lithops are also known as living pebbles because they are the perfect example of biomimicry. Their camouflaged appearance has helped these succulent plants (ex. cacti) escape predation and getting eaten by the thirstiest of animals for the water stored in their leaves. They are ‘designed’ by nature to withstand the dry summers in Southern Africa, their native habitat.
I know I am geeking out, dear readers, but they are such strange plants and lithops just made me read more about them and other succulent plants. The best design inspirations definitely come from nature. Have you read Darwin’s “Origin of Species”? Go ahead. You’ll see how Alexander McQueen‘s Spring 2010 collection makes sense.